Counter-tenor Patrick Terry giving it everything, with CBSO |
In a blog
dedicated to Evolution & Music, it’s good to note a new substantial work adding
to the growing canon of Darwin related music. Today, 02/02/2023 (proximal to InternationalDarwin Day ~ 12th Feb, now up to 34 events) sees the second performance of In ThisBrief Moment, following its worldwide première in Birmingham on 24/09/2022.
I only found out about it from Mark Pallen while arranging the talk I’m due to
give on Monday 13th Feb in Norwich on ‘Darwin, DNA & Music’ (for
free registration, if you can make it, book here). So maybe there is a need for
a blog on Darwin/Evolution Music!
So, lucky few who attended at Birmingham and tonight’s concert in Hamburg!
(including Prague Philharmonic Choir / NDR Elbphilharmonie Orchester). An
enthusiastic review in the Guardian made the piece sound fun, with a good mix of
ingredients as one would expect from a modern synthesis. Dean, based in Germany
and also wielding a mean viola and conductor’s baton is (maybe!) Australia’s
leading composer; he certainly knows what an orchestra is for, as a few moments
listening to any of his available clips will show. It’s perhaps unfortunate that
for this subject with potentially wide appeal, it isn’t yet ‘for sharing’, so
we’re left with only the reviews and a list of ingredients. I’ll try and find
out more.
But it seems like a lot was packed into 45 minutes: “moments of
extreme beauty”in the intertwining of the soloists lines, zany cabaret sequence,
recorded voiceover and “extraordinary chirruping” sounds made by 24 specially
created whirlytubes, and the choir donning black masks, presumably in an
ecological connection. I’m all in favour of serious artistic works using visuals,
props and even audience participation (just you wait…).
And a nod to that greatest, so far, of all the stories of our Origin
told in music, Haydn’s Creation. I sang this with a Parisian choir in 1996, somewhere
on the Left Bank. Oh for
a Darwin-based work to hold a candle to that… I look forward to hearing Brett’s
work and hearing how it holds up.
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